the church frowned on instruments because

The church frowned on instruments because of their earlier role in pagan rites. In addition, the clergy sometimes felt that instruments distracted the worshippers.

  • Most music was vocal because the church frowned on instruments because of their earlier role in Pagan rites. Body of music which existed in the church for …
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    Why were instruments not allowed in the church during the Middle Ages?

    In the middle ages the church frowned upon instruments because of their use in pagan rituals. The drone was used in the middle ages in order to accompany the melody. The organ also came in to play during special occasions.

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    What was the attitude of the church toward the use of musical instruments?

    Instruments Used in Medieval and Renaissance Music The church wanted to keep music pure and solemn because it was less distracting. Later on, musical instruments such as bells and organs were allowed in church, but it was mainly used to observe important days in the Liturgical calendar.

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    What were some of the criticisms about church music?

    What were some of the criticisms about church music that were addressed during the Council of Trent? The use of secular tunes and theatrical singing in Catholic church music; Catholic church music used noisy instruments and complex polyphony; Catholic church music had lost its purity.

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    How did the church in Medieval times affect music?

    The Church was able to dictate the progress of arts and letters according to its own structures and employed all the scribes, musicians and artists. At this time, western music was almost the sole property of the Christian Church. Early Christians derived their music from Jewish and Byzantine religious chant.

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    What is criticism in music?

    The Oxford Companion to Music defines music criticism as “the intellectual activity of formulating judgments on the value and degree of excellence of individual works of music, or whole groups or genres”. In this sense, it is a branch of musical aesthetics.

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    What is the criticism of contemporary worship music?

    Many of the critics complain that contemporary worship music is too loud, repetitive, just a show/performance, not deep enough, or not “spiritual” enough. I guess that would be fine to say…if worship were about you. But worship is not about you. Not about how you feel when you’re singing it.

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    What does the Bible say about music in church?

    The principal direction of congregational singing is to the Lord (Ps. 96:1). Music is made first of all to the Lord and only secondarily to each other. Music should communicate and express a sense of awe and wonder in the presence of God; it should lead our thoughts toward God rather than toward ourselves.

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    Which criticism is centered around the elements of music?

    musical criticism, branch of philosophical aesthetics concerned with making judgments about composition or performance or both.

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    Why did the Church frowned on instruments in the Middle Ages?

    The church frowned on instruments because of their earlier role in pagan rites. In addition, the clergy sometimes felt that instruments distracted the worshippers.

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    Were musical instruments played during the Middle Ages?

    Instruments, such as the vielle, harp, psaltery, flute, shawm, bagpipe, and drums were all used during the Middle Ages to accompany dances and singing. Trumpets and horns were used by nobility, and organs, both portative (movable) and positive (stationary), appeared in the larger churches.

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    Why did medieval church music have such specific rules?

    Chanting of this time period is called plainchant and is sometimes referred to as Gregorian chant, since Pope Gregory standardized chant for the liturgy. It was standardized to promote unification of the churches throughout Europe and to rid the churchgoers of their pesky pagan tendencies.

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    What was the attitude of the church toward the use of musical instruments during the Middle Ages?

    Instruments Used in Medieval and Renaissance Music The church wanted to keep music pure and solemn because it was less distracting. Later on, musical instruments such as bells and organs were allowed in church, but it was mainly used to observe important days in the Liturgical calendar.

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    What role did the church play in society and in music during the medieval period?

    MIDDLE AGES (476-1400) The church (the Roman Catholic church) was the primary patron of art and education and the single greatest safe guarder of culture. All music, architecture, poetry and learning was cultivated by the church. Composers were churchmen and musicians got their training as church choirboys.

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    What influence did the church have in medieval times?

    During the Middle Ages, the Church provided education for some and it helped the poor and sick. It was a daily presence from birth to death. In fact, religion was so much a part of daily life that people even said a certain number of prayers to decide how long to cook an egg!

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    What influenced the music during the medieval period?

    Secular music: For much of the Medieval era, art served a sacred purpose. Vocal music was liturgical with Latin lyrics, and liturgical dramas were the norm in the theater. Yet with the advent of the motet, secular lyrics became more common, often concerning courtly love.

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    What does the Bible say about musical instruments in church?

    147:7); “Let them sing praises to Him with the timbrel and harp” (Ps. 149:3); “play skillfully” (Ps. 33:3); “Praise Him with the sound of the trumpet; praise Him with the lute and harps! Praise Him with the timbrel… Praise Him with stringed instruments and flutes!

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    What does the Bible say about instrumental music?

    The church frowned on instruments because of their earlier role in pagan rites. In addition, the clergy sometimes felt that instruments distracted the worshippers.

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    Why did the church frown upon the use of instruments at this time?

    The introduction of church organ music is traditionally believed to date from the time of the papacy of Pope Vitalian in the 7th century.

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